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tigsearchh Php r Cutelittleslut how.searchK Php lley has never been sued for libel and her book about the Bush family was so hot ( and useful) that the Bush Klan succeeded in shutting it down with the help of Bush 1st’s golf caddy, NBC’s Matt Lauer. Editors of The New York Times Magazine section hold the same position about welfare recipients as Oprah.
I stopped reading The New York Times Magazine years ago weary of its parade of flesh eating black cannibals, lazy and shiftless welfare mothers. (The Times’ coverage of Africa could be written by Edgar Rice Burroughs.) It is a section of the newspaper where Daniel Moynihan is treated as some kind of Celtic god. This is the guy who accused unmarried black mothers of “speciation.”
A book promoted by the magazine in which all of the crack addicts were black and in which one photo showed a black crack addict, a mother, fellating a John while a baby was strapped to her back even offended Brent Staples, a black member of the editorial board. That crack is a black drug, exclusively, is just another media hoax meant to entertain whites of the kind that dates to the very beginning of the American mass media.
So I wasn’t surprised that the magazine section featured a spread about “Precious” featuring Gabourey Sidibe, the 350 pound actor in the title role, on the cover certainly an act of black exploitation. However the interviewer, gossip writer Lynn Hirschberg, did perform a service by catching Lee Daniels, the “director” of Precious in a couple of exaggerations. In an effort to follow the marketing plan, the title of the article was “The Audacity of Precious,” after Obama’s “The Audacity of Hope” subtitled “Is America Ready For A Movie About An Obese Harlem Girl Raped And Impregnated By Her Abusive Father?” Lionsgate spent big bucks to advertise the movie in the Times.
During Lynn Hirschberg’s interview with Daniels, he claims that he directed Monster’s Ball, about a black woman so dimwitted that she begins a relationship with her husband’s white executioner (though as a porn movie it was superior to Co-Ed Confidential). The husband was played by Sean Puffy Combs.
Turns out that Daniels didn’t direct the film. It was directed by Marc Forster a white director. So, did Daniels direct “Precious” or is really he playing the flak catcher for this heinous project like Oprah Winfrey and Perry? When he went on the set to exercise his role as “director” did the white people who own the movie and provide the crew for this film call security? Hard to say.
He also said that he grew up in the ghetto. His aunt disputes this.
The Times has printed no less than four articles all of which have either praised Precious, or gave those who defend the movie the most lines. Two were written by A.O. Scott, who said that this movie about fictional characters was part of a “national conversation about race.” This is the problem with films like “Precious.” White critics like A.O. Scott, who hog all the criticism space as black, Hispanic, and Asian American journalists are being fired in droves, get a chance to pick and choose which cultural products that will ignite a discussion about race usually ones that show blacks as depraved individuals, individuals that are used to blame black men and in this case black women, collectively. He suggests that based upon a movie adapted from a fiction, all black males are incest violators, the kind of group libel aimed at the brothers when Gloria Steinem said that The Color Purple told the truth about black men.
Why didn’t Dexter, Paris Trout or Dorothy Allison’s Bastard Out Of Carolina, begin “a national conversation,” about race? Ted Turner tried to suppress Bastard Out Of Carolina, this white incest film and only through the intervention of Anjelica Huston was the film aired. Turner pronounced it too graphic to be shown on his network CNN, which poses blacks as degenerates 24/7. In several states, Bastard has been banned from classrooms and school libraries.
Also, why doesn’t the Times open its Jim Crow Op Ed page so that a member of Precious’s target, black men, as a class, could respond to this smear, this hate crime as entertainment, this Neo Nazi porn and filth. There are hundreds of black male intellectuals (yes, black men are more than athletes, criminals and entertainers) who would take up the challenge. But the Op Ed page is only open to one black writer, consistently--Orlando Patterson--, who, like the ‘20s writer Claude McKay, is the kind of Jamaican who has nothing but contempt for African Americans.
Sapphire (Ramona Lofton), who wrote the novel Push, also has a biography like Daniel’s that shifts about. First she told Dinitia Smith of the Times (July 2, 1996) that Precious was an actual person. “She lives there,” she said, “pointing at a dowdy building over check cashing store.” Don’t you think that if such a person existed that Lionsgate wouldn’t include her in its marketing plan so ubiquitous that an ad for this film appears on my email screen when I sign in at AOL. It figures? AOL’s expert on black culture and politics is DNesh D’Souza .Their coverage of black culture is limited to black NFL and NBA athletes who get into trouble outside of strip clubs.
Part of the packaging of both the novel and the film has been to cash in the culture of recovery. Sapphire says that she was a former prostitute and a victim of incest (Lee Daniels does his pity party routine during the Times’ interview). She also said that she is a recovering lesbian. In 1986, she began to “remember things.” “An incident of violent sexual abuse “ when she was “3 or 4.” Her father, an Army Sergeant, denied her claim. He died in 1990. (Lee Daniels also “remembered” abuse by his father. I wonder what his aunt would say.)
Her “remembering things,” and being inspired by two other profitable black incest products led Alfred Knopf to give her a $500,000 advance for two books one of which, entitled “American Dreams” included a poem called “Wild Thing,” which blamed the rape of a Central Park Jogger on black boys.
As Steven Spielberg put the knife in Celie’s hand, Sapphire put a rock and pipe into the hands of boys who spent their youth in jail for a crime that they didn’t commit. She has her narrator say: “ I bring the rock down/ on her head/sounds dull & flat/like the time I busted/the kitten’s head/the blood is real and red/my dick rises.” She has one of the defendants,Yusef Salaam, participating in the rape.“Yosef slams her/ across the face with a pipe.” Yusef Salaam served 5 and ½ years. Do you think that Sapphire might make up to Mr. Salaam for destroying his reputation in a book for which she received $500,000. And what about Naomi Wolfe and other millionaire feminists whose agitation helped to convict these innocent kids. Maybe they can join Sapphire in setting up a trust fund for these victims “who grew up in Jail.And what about Linda Fairstein? She got rich, too.
Called a “Zealot, Crusader, and Megalomaniac,” Linda Fairstein, the Manhattan District Attorney’s Sex Crimes Unit, often shown as an “ultra-blond” in an “air-brushed” photo, saw prosecuting these children as a step toward fame and fortune. In the words of Rivka Gerwirtz Little, author of “Ash-Blond Ambition, Prosecutor Linda Fairstein May Have Tried Too Hard” (Village Voice,11/19/02) they were convicted as a result of the zealousness of the ambitious prosecutor, the Jim Crow media, which found them guilty and contributed to the hysteria surrounding the case ,and by New York feminists, black and white. (Donald Trump wanted the children to get the death penalty.) Little writes,
“The men in all of these cases, who were convicted despite the existence of exculpatory evidence, still see Fairstein and her minions as either zealots or headline seekers, pursuing verdicts that would appease the outraged public. Oliver Jovanovic thinks Fairstein was also making literary hay from her cases.
“Jovanovic, the Columbia University microbiology Ph.D. candidate had dubbed the ‘cybersex’ attacker, who was convicted and sentenced to 15 years to life in prison for kidnapping and sexually torturing a Barnard undergraduate ‘had his own run in with Fairstein.’ After he served nearly two years of his prison term, an appeals court overturned his conviction in 1999, again saying that crucial evidence was withheld during the trial that could have shown Jovanovic and his accuser had a consensual sadomasochistic relationship, or that she simply fabricated the story. Morgenthau dismissed the case before a pending retrial in 2001.”
“Each time one of these cases occurred, her books probably went flying off the shelves,” says Jovanovic.
“She used what happened in that unit to make money, and that is wrong she earned, according to The New York Times, $2.5 million in sales by 1999.”
Little also questioned the rush to judgment of feminists in the case in her, “How Feminists Faltered on the Central Park Jogger Case” (Village Voice, 10/15/02)
“Feminists who rallied on the courthouse stairs outside the 1990 trial of five African American and Latino youth accused in the Infamous rape and beating of the 28-year-old Central Park jogger made It painfully clear-there was a choice to make: gender or race. With flimsy evidence and an almost immediate indictment by the public, advocates for the teens believed they were easy lynch victims and demanded further Investigation and fair trials. But to some feminists, bringing up ‘the race issue’ muddled the case and detracted from the bottom-line issue-violence against women and justice for the victim.
“Thirteen years after the teens were convicted, DNA evidence and a confession to the crime by Matias Reyes, a convicted rapist behind bars, indicate a strong possibility that the five accused-who walked into prison as boys and emerged years later as men-would have been a worthy cause for any left activist group to champion. In the jogger case, no one even considered their five mothers a cause for feminists, though with little money or proper representation, they saw their sons railroaded, and the media portrayed them as out-- of-control ghetto mamas.” The young men, who went to prison as children, Antron McCray, Kevin Richardson, Raymond Santana, Kharey Wise, and Yusef Salaam, received from 5 ½ to 13 years.
Because of his defense of the poem “Wild Thing” by Sapphire (Ramona Lofton), printed in a literary journal, the Portable Lower East Side, which “was a graphic depiction of the thoughts of a participant in the rape and beating of a Central Park jogger,” according to The Washington Post, John Frohnmayer, was fired as head of the National Endowment of the Arts. During an appearance before the National Press Club, he warned that “the political battle over the NEA [was] part of a broader cultural war and invoked the specter of the Nazis' takeover of Europe to underscore his point.” Another technique the Nazis used, whether Frohnmayer knows it, was to blame their enemies for crimes they didn’t commit like the burning of the Reichstag, which is what happened in the Central Park Case. The “wilders,” it turned out were innocent. When Little called to ask feminists who judged the children guilty, when no forensic evidence tied them to the rape, and after Matias Reyes confessed to the crime (his semen matched that collected from the jogger) only one would respond. Susan Brownmiller, who libeled all black men as rapists in her book, Against Our Will, was a holdout.
She said that regardless of the scientific evidence pointing away from the guilt of the five, she still believed that they were guilty. I wonder was Sapphire called. I wonder how she feels about her poem. I wonder whether we would have found out if Katie Couric had given her the kind of grilling that she gave Sarah Palin. One of the reasons that Bryant Gumbel left NBC was that Couric was chosen to interview O.J. Simpson instead of him.
Sapphire, who helped to set up these children ,the way that she and her cynical backers like Sarah Siegel, whose depiction of black men is worst than those found in American Renaissance magazine, have set up black men. In Precious the out of control ghetto mama whom they market is played by Monique. Carl, her husband, who commits the unspeakable, is Sapphire and Sarah Siegel’s “Wild Thing.”
I asked D. Scott Miller, a writer for the San Francisco Bay Guardian his take on the different biographies of Ramona Lofton. He said,
“I would say that her bio has been shortened and extended when it's convenient.
“Here’s the opening of her Amazon Bio:
‘Sapphire was born in 1950 and spent her first twelve years on army bases in California and Texas. As a teenager she lived in South Philadelphia and Los Angeles. She graduated from City College in New York and received an MFA from Brooklyn College. From 1983 to 1993 she lived in Harlem, where she taught reading and writing to teenagers and adults. She lives in New York City.’
“Here's the opening of her bio post-push, but pre-Precious:
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